How we are shaped and act as individuals in society is a recurrent motif in Jan S. Hansen’s artistic work. In this major solo show, he follows this trajectory in a series of new works which constitute a synthetic environment full of surreal assemblies, activities and situations.

In this solo exhibition Hannah Anbert puts the modern working life under critical scrutiny. In a series of new sculptural installations, the artist explores the contemporary acceleration doctrine and turns our usual distinction between productive and recreational activities upside down.