Alongside other publishing activities, since 2021 O—Overgaden has regularly published a monographic series in conjunction with the in-house solo exhibitions. The publications aim to expand conversations around the shows and produce new, offspring material, while being easy to access from afar.

On this website, you’ll find a free-to-download PDF version of all these publications as well as other published material. Please scroll down to open any of these.

In print (UK/DK), sold in our bookshop for 50 DKK, this publication series comes with a special, grand fold-out poster as its cover.

2024
MM
  • INTRODUCTION
    Rhea Dall, director, O—Overgaden
  • NASTY TALES AND THEIR ORCHESTRA
    Whitney Mallett
  • LOOKING FOR SOMETHING WARM
    Alissa Bennett
  • MM
    Anne Kølbæk Iversen
Shutting Out the Sun
  • INTRODUCTION
    Rhea Dall, director, O—Overgaden
  • IT HAS ALWAYS BEEN ABOUT ENTANGLEMENT
    A conversation between Aske Thiberg & Hendrik Folkerts
  • STAGES
    Nanna Friis
22
  • INTRODUCTION
    Rhea Dall, director, O—Overgaden
  • HYPERACTIVE HYPOACTIVE
    Vanessa Place
  • VERSES
    Nanna Friis
Impaired Erotics
  • INTRODUCTION
    Rhea Dall, director, O—Overgaden
  • THE SICK/DISABLED BODY
    Panteha Abareshi
  • EROTIC SELFREFLECTIONS: SOME NOTES ON ART AS SEXUALITY
    Frida Sandström
Antiform
  • INTRODUCTION
    Rhea Dall, director, O—Overgaden
  • CRIP TIME
    Anne Kølbæk Iversen
  • THE UNDYING
    Anne Boyer
  • WHAT YOU SEE IS WHAT YOU GET —AND YET SPEAKS OF SOMETHING ELSE ENTIRELY
    A conversation between Julie Falk and Klara Li Scheutz
The False Rose of Jericho
  • INTRODUCTION
    Rhea Dall, director, O—Overgaden
  • IN ANOTHER ROSE’S NAME
    Anna Meera Gaonkar
  • THE COLORLESS HARD SPIRALS WITH THE HANGING THREADS STILL SWIM IN THE SEA OF PLASTIC FLOWERS
    Jessie Kleemann
  • EXPLODED ICONOGRAPHIES
    Conversation with Apolonia Sokol and Zahna Siham Benamor
2023
Folly
  • Introduction
    Rhea Dall, director, O—Overgaden
  • Garden Mulch for the Artistic Practice
    A conversation between Milena Høgsberg and Anna Sofie Mathiasen
  • Folly
    Peter Wächtler
Slit Your Click
  • Introduction
    Rhea Dall, director, O—Overgaden
  • Cassie's Choreographies
    Jeppe Ugelvig
  • Slit Your Click
    Maxi Wallenhorst
  • The Erotic Object, Looking Back
    Ivy Monroe
Laocoön Loop
  • Introduction
    Rhea Dall, director, O—Overgaden
  • Renaissances
    Nanna Friis
Groundings
  • Introduction
    Rhea Dall, director, O—Overgaden
  • The Underground Frontier
    Godofredo Pereira
  • Interruptions
    Marianne Lien
  • Europe on our Shoulders
    Kate Johanne Utsi
Lumps, lumps, lumps become bumps on my tongue
  • Introduction
    Rhea Dall, director, O—Overgaden
  • Linda Lamignan and Melanie Kitti in Conversation
    Melanie Kitti
  • Image Archaeologies
    Martha Kirszenbaum
Vault
  • Foreword
    Rhea Dall, director, O—Overgaden
  • A Sence of Satiation
    Essay by Pablo Larios
  • Science Fiction
    Essay by Nanna Friis
  • Who's afraid of Minimalism?
    Essay by Carina Bukuts
Doubt
  • Foreword
    Rhea Dall, director, O—Overgaden
  • Destabalizing the Dogma
    Essay by Daniel Larkin
  • Doubt & Desire: the need to be shattered & rebuilt
    Essay by Övül Ö. Durmuşoğlu
Bitch on Wheels
  • Foreword
    Rhea Dall, director, O—Overgaden
  • Mass produced submissive
    Essay by Laura McLean-Ferris
  • Models of the adult population in crash testing
    Essay by Astrid Linder
  • Containers
    Essay by Nanna Friis
Memory Marketplace
  • Foreword
    Rhea Dall, director, O—Overgaden
  • Atacama
    Essay by Ana Welden Gajardo
  • Between the images rests a horizon
    Essay by Victor Ahlén & Anneli Ström-Villaseca
  • Traces of violence, rethoric of consensus, and subjective dislocations
    Essay by Nelly Richards
2022
Knots of Ecphore
  • Foreword
    Aukje Lepoutre Ravn, Interim Director, O—Overgaden
  • Overlaps
    Correspondence between Siri Hustvedt & Helene Nymann, Summer 2022
  • Pulses
    Micro-phenomenological interviews
  • Ecphorizing Reminders
    Essay by Joe Dumit
Histories of Predation
  • Foreword
    Aukje Lepoutre Ravn, Interim Director, O—Overgaden
  • Adeluds in the Mound
    Folk song from the Western Jutland heath
  • A world you would want to live in?
    Adam Khalil in conversation with Marie Kølbæk Iversen
  • Ulm and those who wander
    Essay by Emmy Laura Pérez Fjalland
  • Merman. Greenland shark. North Atlantic deep-sea shark
    Julius Nielsen in conversation with Marie Kølbæk Iversen
  • Ode to the Danaids
    Poem by Aqqaluk Lynge
Bring Time
  • Foreword
    Aukje Lepoutre Ravn, Interim Director, O—Overgaden
  • Where the real interesting stuff happens: Talking about afterparties
    Essay by Justin Hunt
  • On gay clubs and archives - an essay for Terence
    Essay by Lisa Arellano
Heavy Body, Heavenly Body
  • Foreword
    Aukje Lepoutre Ravn, Interim Director, O—Overgaden
  • Nothing that goes through me belongs to me (2022)
    Script by Monia Sander Haj-Mohamed
  • Photos of drawings and exhibition
    Photos by Mai Keldsen and Anders Sune Berg
No Exit Prior to Orientation
  • Foreword
    Aukje Lepoutre Ravn, Interim Director, O—Overgaden
  • Glitching neoliberal care
    Essay by Frederike Sperling
  • Boundless reality
    A conversation between Line Finderup Jensen and Nanna Friis
Shift
  • Foreword
    Aukje Lepoutre Ravn, Interim Director, O—Overgaden
  • Currents of words about Alexander Tillegreen
    Essay by Kathrine Børlit Nielsen
  • Notes
    Excerpts of participant responses from a larger scientific laboratory study, the Max Planck Institute for Empirical Aesthetics
  • Words, Spaces, Sounds
    Essay by Vanessa Joan Müller
I am here for pleasure but it is no fun
  • Foreword
    Aukje Lepoutre Ravn, Interim Director, O—Overgaden
  • In Reality
    Essay by Anna Stahn
  • Index
    Poems from the exhibition by Julie Stavad
  • Tyngder
    A conversation between Ida Schyum & Julie Stavad
SUPERADAPTER
  • Foreword
    Aukje Lepoutre Ravn, Interim Director, O—Overgaden
  • SUPERADAPTER - A Twist in Tommy Støckel’s Sculptural Syntax
    Lisa Rosendahl
  • Invisible Essence
    Nanna Friis
2021
No History at All
  • Foreword
    Aukje Lepoutre Ravn, Interim Director, Overgaden
  • Holding the Sun in the Soul, Or a Million Small Hands that Touch the Earth
    Essay by María Berríos
  • The Museum Has No Soul
    A conversation between Maria Ines Plaza Lazo & Dina El Kaisy Friemuth
  • No History at All
    Ariella Aïsha Azoulay (an excerpt from Ariella Aïsha Azoulay’s book Potential History: Unlearning Imperialism)
Organizing Principles
  • Foreword
    Aukje Lepoutre Ravn, Interim Director, Overgaden
  • Water on Water, Movement over Movement, Waves over Waves, Breathing following Breathing, Affirmation coming over Affirmation
    Essay by Miriam Bettin
  • Love is a Rose
    Essay by Elif Saydam
  • Amber Secrets
    Essay by Sóley Ragnarsdóttir
Hvad kan virussen lære os?

This new Danish translation of Paul B. Preciados text Learning from the Virus, translated by Aleatorik, was initiated by O—Overgaden and the exhibition project Psychopathia Sexualis. The text draws lines of connection between AIDS, biopolitics, and the COVID-19 crisis.

Between Eternity and Time
  • Foreword
    Aukje Lepoutre Ravn, Interim Director, Overgaden
  • Night Vision
    Conversation between Ida Sønder Thorhauge & Nanna Friis
  • The Taboo of Creation
    On the making of mammals, mothers, and other irksome creatures – by author Nazila Kivi
Comb a Hairy Doughnut Flat
  • Foreword
    Aukje Lepoutre Ravn, Interim Director, Overgaden
  • Zoom
    Essay by Nanna Friis
  • The Repopulation
    Poetic essay by Liv Sejrbo Lidegaard
Kammerspil

Mannov’s publication is one of the first in a new monographic series produced in conjunction with our institutional solo exhibitions from 2021 onwards, focusing on new artistic voices in the Danish art scene and, hopefully, on catapulting these into a larger readership, following, and distribution, as is well deserved.

  • A Play of Chambers
    Foreword by Rhea Dall, Director, Overgaden
  • A Sweaty Echo Chamber Filled with Ghosts
    Lars Nordby & Carl Mannov in conversation
  • K and Lun
    Poetic contribution by artist and author Melanie Kitti
Shadows in Pieces

Lindegaard’s publication is one of the first in a new monographic series produced in conjunction with our institutional solo exhibitions from 2021 onwards, focusing on new artistic voices in the Danish art scene and, hopefully, on catapulting these into a larger readership, following, and distribution, as is well deserved.

  • Cubism on Acid
    Foreword by Rhea Dall, Director, Overgaden
  • Vacuum
    Conversation between Johanne Rude Lindegaard & Nanna Friis
  • Eye Shadows and a Palette of Affect
    Essay by Mai Dengsøe