In the late 1990s, Barbara Breitenfellner had a residency at Kulkturfabrikken and lived in Copenhagen for almost a year. During that time she developed several projects and had a solo show at Overgaden. If her early works —based on low-resolution surveillance cameras and live video projections – have a rather different aesthetic than her actual production, her topics and themes have not changed: multiplication of the body, deconstruction of space or involvement of the visitors in the exhibition continue generating her art.